It is an honor to serve as juror for the fourth annual Living Canvas. I have had the privilege of participating in this exhibition since its inception, and returning now in the role of juror feels both meaningful and humbling.
The human figure has been at the heart of artistic practice throughout history. From the earliest sculptures and cave paintings to contemporary works that challenge and redefine our understanding of identity, the figure remains one of the most profound and enduring subjects in art. Studying and representing the human form is not simply an exercise in anatomy or technique — it is a way of exploring beauty, vulnerability, strength, emotion, and our shared humanity.
For centuries, mastery of the figure has been regarded as one of the highest achievements in art. Yet technical skill alone is never enough. The most memorable works are those that transcend representation and reveal something essential about the human experience. The figure becomes a language through which artists communicate ideas, emotions, and truths that words often cannot express. As I jury this exhibition, I will be looking for works that demonstrate a strong command of craft, but equally for works that possess a distinct voice and emotional resonance. I am drawn to pieces that show sincerity of vision, confidence in execution, and the power to move, surprise, or linger in the viewer’s mind.
I would also like to express my sincere appreciation to Mia St. Clair, whose vision and dedication created Living Canvas and helped it grow into a prominent and eagerly anticipated event in Pittsburgh’s art community. Her commitment to figurative art has fostered an inspiring space for artists to share their work and for audiences to engage with one of art’s most enduring traditions. I look forward to discovering the many ways artists continue to celebrate and reinvent the human figure in this year’s exhibition.
Yelena Lamm was born in Saint Petersburg, Russia, where she received her formal art training at the N. K. Roerich Fine Arts School. Since 1995, she has lived in Pittsburgh, Pennsylvania, working primarily in oil and dedicated to the classical tradition of representational art. Yelena is a Signature Member of Oil Painters of America (OPA), American Women Artists (AWA), American Impressionist Society (AIS), National Oil and Acrylic Painters Society (NOAPS), and Society of Animal Artists (SAA). Her work has received numerous awards in national and international juried exhibitions, including honors from the Art Renewal Center and the Portrait Society of America. In addition to exhibiting extensively, she teaches art workshops throughout the United States and Canada, as well as online. She has served as a juror for online exhibitions organized by OPA and NOAPS. Yelena has been involved with Living Canvas since its inaugural year and was honored to receive the exhibition’s Juror's Award three years in a row. She is delighted to serve as juror for the fourth annual Living Canvas and to celebrate the enduring tradition and continuing evolution of figurative art.
"I have always been drawn to this figure. The tension between her submissiveness and her discomfort resonates with me. I wanted to create a painting that was both beautiful and slightly unsettling. In this painting, the figure feels vulnerable but also incredibly present, while the landscape around her moves in and out of abstraction. I wanted the figure and her surroundings to feel connected, almost as if one is becoming part of the other. I like leaving enough unanswered that the viewer can find their own story in it." - Thressia Kriebel, Artist
"Michelle began with an online pose reference, allowing me to spend more time exploring the pose and develop a larger piece when working from life is not possible. What drew me to this particular pose was its quiet, introspective quality, balanced by a subtle tension in the way she sits and turns her head. I wanted to capture that stillness while allowing the gesture and posture to speak for themselves. As I sculpt, I respond to the body, its balance, movement, and subtle nuances, rather than beginning with a specific message in mind. The character of the figure gradually emerges through the process, and with Michelle, that sense of quiet presence developed naturally as I worked. As often happens, the process of creating the piece itself guided me toward its final expression." - Gadi Leshem, Sculptor
"For over a year, I have been practicing figure drawing, attending weekly life drawing sessions, and improving my skills through group critiques and hours of practice. I have fallen in love with the human form and recently started applying those figure-drawing skills to painting. My work, Morning Coffee, is one of these first attempts at figurative painting, and this pose in particular felt very comforting. The first cup of coffee in the morning is one of my favorites, and the model's relaxed, indifferent treatment of the viewer felt very honest. The figure's placement in this empty, tranquil blue space leaves the viewer wondering where she is, what she will do next, and what she is thinking. Will she ever get to sip her coffee, or is she forever in a state of having her cake (or in this case, coffee) but never being able to enjoy it?" - Jessica Ham, Artist
"Beyond the Window originated as a sketch during a life drawing session held at South Arts. I was particularly drawn to the model’s upward gaze and the sense of quiet contemplation it conveyed. I brought the sketch home and developed it into a finished acrylic painting.
The background evolved as I explored how to frame the figure and her gaze. Ultimately, the painting crystallized with the addition of an empty vase in the window. The vessel as a tranquil still-life element complements the figure and adds depth to the composition." - Thomas E. Laurent, Artist
A merit award at a juried art exhibition is a prestigious prize given to a standout piece chosen by an expert judge. It honors strong skill, distinctive style, or deep meaning, showing that your work is among the best in the show.
Limelight by Niccy D.
Interaction by Krystsina Skrypko
Brother Roman by Suzanne Werder
Nude Model #1 by Alena Dergacheva
Ascension: Golden Age by Sasha Phillips